Sharon Hogg

Sharon Hogg

  • Portfolio
    • Pear Shaped World
    • 2015 Beneath the Long Grass: The Constructed Canvas
    • 2015 SpringBurn - Alberta Culture - Heritage Art Series
    • 2015 Ex Kathedra
    • Ski Trails Sketches
    • 2014 Texo Vitae
    • 2014 Between the Swan and Hercules
    • 2014 Beneath the Long Grass
    • 2014 Tales from the Maple Forest
    • 2014 Just To Say Hello
    • 2014 Landscape for a Good Woman
    • 2014 Self ish
    • 2014 Vortex
    • 2014 Sunday 2PM
    • 2014 Curious Messenger
    • 2014 Fairly Odd Landscapes
    • 2012 Flatland: A Romance in Many Dimensions
    • 2012 The Land in Close-Up
    • 2014 Vain Trifles
    • 2013 At The Regatta
    • 2013 Facing Forward
    • 2012 Life in the Outer City
    • 2011 One Warm Line
    • 2011 Peopled Land
    • 2011 The Turner Project
    • 2010 Print
    • 2010 Corporeal Foment
    • 2010 Day At The Museum
    • 2009 Just The Land
    • 2009 Stills from Life
  • Exhibitions
    • 2015 Beneath the Long Grass: The Constructed Canvas, Leighton Arts Centre
    • 2015 Agnes Jamieson Gallery - Winter in Minden
    • 2014, Leighton Arts Centre - Members Spring Show
    • 2012 Flatland in Exhibition
    • 2012 You Are My Sunshine
    • 2011 The Accumulated Landscape
    • Flatland: A Romance in Many Dimensions
    • Connections 2014
    • Extreme Landscape 2014
    • Coming Up Next, 2013
    • Indigo, 2013
    • Organic Matters, 2014
    • You Paint What?
  • Writing
  • About
    • CV
    • Bio
    • Statement 2015
    • Contact
Twizzler - sketch for Ex Kathedra
2011
Acrylic on Plaster of Paris on Found Lumber
11x12 inches
It is like Richard Dawkins story of the mud puddle.
In The Blind Watchmaker,
he imagines a sentient mud puddle.
It is making the case for intelligent design
over evolution by stating that
"only an intelligent designer could create
a dent in the ground that so perfectly fits
the shape of its muddy water.
This environment, this dent in the clay,
could have only have been designed
with mud puddles in mind."

Hmmm. Maybe it is the other way around.
Maybe it is the mud puddle that is
conforming to the dent that happened to be
in the ground,
in the place
that the water
fell to earth.

Are humans master of their environment?
Or over the generations,
are they continually being evolved,
for good or ill,
by the environments they fall into?

All this from Plaster of Paris,
with a thin layed of acrylic paint,
scratched through.
I think the mud puddle musings
are simply a result of the fact
that the muddy plaster fell through
two bolt holes in the underlying support
of found lumber.

Sharon Hogg is a visual artist working in Calgary Alberta and Lombardy Ontario, Canada. She holds a Bachelors of Fine Art and  a Masters of Fine Art from the Alberta College of Art and Design.


Where humans intersect with unseen natural forces, she imagines what lies behind or beneath the surface. More than seeing, she wants to feel the backstory, the understory, the glue that holds it all together. Her work seeks to bring that underlying level of awareness closer to the visible and the touchable.

The ​Sublime, New Materialism and the Vorticists are influences.